Indie Antipodes

I recently did something that my teenage self would be thrilled about: I booked a trip to Australia and New Zealand. Though she’d probably yell at me, too: why did you take so goddamn long?!

See, at age 15 I first discovered The Church (via local “alternative” radio station WFNX), quickly followed by the Go-Betweens (thanks, MTV’s 120 Minutes!). My love of those two bands put Australia firmly on my musical radar.

Then a short year later, based on a rave review by Mike A in his zine Writer’s Block, I took a chance on buying a rather expensive import CD at the Newbury Comics store in Harvard Square. The disc was Flying Nun label comp In Love With These Times, and from the kickoff track—”Rain” by The Chills—I was hooked. So much amazing music from this one label in New Zealand! I started scouring local record stores for any and all releases by my favorite bands on that comp: the Chills, the Verlaines, the Bats, Look Blue Go Purple and Able Tasmans.

Throughout the years I’ve followed my favorites throughout their careers, buying countless additional records and considering myself lucky to have seen most of these bands live at one time or another. And I’ve occasionally added a band here and there to my list of Aussie and NZ faves.

But it’s only recently that I’ve started paying much closer attention to some of the newer indie bands from that part of the world. And it turns out that now is a pretty fantastic time to be listening. Because many different cities have been brewing up not just great bands, but thriving music scenes, with members swapping and recombining themselves with results that keep me clicking the “Buy now” link on a dizzying array of Bandcamps.

So I want to share with you my favorite recent music from Australia and New Zealand, a whopping 38 bands in total. All songs are from the past couple of years (2013-2015), though most have been released this past year. I featured a number of these bands in my summer 2015 new music mix, so in those instances I’ve chosen different tracks here.

And pssst, bands: play lots of shows in March! Together! And pleaseohpleaseohplease don’t break up! At least not before my boyfriend and I are able to arrive in your town to catch as many of you live as we can.

On to the music…

Indie Antipodes

A current Australia/New Zealand music mix

(I did make a SoundCloud playlist with the 32 tracks available on that service. But you really wanna listen to every last song—links to all 38 below.)

  1. Tempura Nights – Studville (Soundcloud)
    A short and sassy tumble tangle-jangle.
    (Brisbane, AUS – September 2015)
  2. Salad Boys – Dream Date (Bandcamp)
    Crunchy, catchy, kinetic pop and spiky guitar.
    (Christchurch, NZ – August 2015)
  3. Miners – Wrings (Bandcamp)
    Bopping back and forth and staring at your shoes (fuzz-guitar break).
    (Wollongong, AUS – October 2015)
  4. Dianas – Of A Time (Bandcamp)
    Delicate and spare, lovely lilting harmonies over a pulsing beat.
    (Perth, AUS – September 2015)
  5. Terry – Talk About Terry (Soundcloud)
    Finger-snap-cracking, speak-and-singing shambling pop.
    (Melbourne, AUS – August 2015)
  6. X-Ray Charles – Field Recordings of Animal Noises (Bandcamp)
    A ripping frantic strum and drum.
    (Christchurch, NZ – May 2013)
  7. Thigh Master – Head of the Witch (Bandcamp)
    Drawling whine and crashing guitar bliss.
    (Brisbane, AUS – July 2014)
  8. The Ancients – Hey Now (Bandcamp)
    A cloud of mildly psychedelic fuzz-pop perfection.
    (Melbourne, AUS – October 2013)
  9. Day Ravies – Fake Beach (Bandcamp)
    Hazy and breathy, with a-go-go organ and guitar growl.
    (Sydney, AUS – July 2015)
  10. Beaches – Send Them Away (Bandcamp)
    A lovely la-la wash and crash.
    (Melbourne, AUS – April 2013)
  11. Dick Diver – Tearing the Posters Down (Bandcamp)
    Sparkling, chugging, harmonizing together.
    (Melbourne, AUS – March 2015)
  12. The Moonlight – Into the Water (Bandcamp)
    Tense and intense stutter-guitar and croon.
    (Auckland, NZ – October 2015)
  13. Blank Realm – Palace of Love (Bandcamp)
    Carousel of jangle and snarl.
    (Brisbane, AUS – September 2015)
  14. The Chills – Warm Waveform (SoundCloud)
    A hushed pulse of glowing jewel tones.
    (Dunedin, NZ – October 2015)
  15. The Goon Sax – Sometimes Accidentally (Bandcamp)
    A charming and chiming sideways lament.
    (Brisbane, AUS – September 2015)
  16. Kitchen’s Floor – Doomed (Bandcamp)
    Buzzing, sing-songy drone-beat.
    (Brisbane, AUS – September 2015)
  17. Filthy Teens – OCD Lovers (Bandcamp)
    Nasal guitar shimmy and spritz.
    (Sydney, AUS – June 2014)
  18. Rat Columns – New Honey (Bandcamp)
    Laconic guitar noodle and melody.
    (Perth, AUS – July 2015)
  19. Center Negative – (secretly he’s a racist) (Bandcamp)
    Farfisa-fueled, rollicking lo-fi ramble.
    (Auckland, NZ – August 2015)
  20. Caroline – Ten Yr Olds Shouldn’t Sell Tape Decks (Bandcamp)
    90s-style indie rock slang and rumble.
    (Brisbane, AUS – March 2015)
  21. Terrible Truths – See Straight (Bandcamp)
    Jagged rhythms, open spaces, attitude.
    (Adelaide, AUS – October 2015)
  22. The Cathys – Rebble (Bandcamp)
    Percolating post-punk-pop. dryly delivered.
    (Sydney, AUS – June 2015)
  23. Ciggie Witch – Long Weekend (Bandcamp)
    Caffeinated dolewave sliding from hook to hook.
    (Melbourne, AUS – April 2014)
  24. Transistors – Confidence Man (Bandcamp)
    Guys in the garage, bashing it out.
    (Christchurch, NZ – September 2015)
  25. Bunnies On Ponies – Nothing (Bandcamp)
    A whirling gallop of psych-pop.
    (Wellington, NZ – July 2014)
  26. Community Radio – Real Transformation (Bandcamp)
    Gently head-expanding pop confection.
    (Sydney, AUS – June 2014)
  27. Cool Sounds – Night Line (Bandcamp)
    Swelling and atmospheric, plaintive minor key.
    (Melbourne, AUS – January 2015)
  28. The Good Morrows – Wake Up (This Isn’t Your Dream) (Bandcamp)
    Velvet-y guitar groove and woo-hoo.
    (Melbourne, AUS – July 2015)
  29. I, A Man – Cold Feet Warmed (Bandcamp)
    Expansive and shimmery echo.
    (Melbourne, AUS – April 2014)
  30. Jen Cloher – Mount Beauty (Bandcamp)
    Stomp and swing with tiny piano and a generous dose of twang.
    (Melbourne, AUS – May 2013)
  31. The Shifting Sands – Waiting For the Sun (Bandcamp)
    Loping guitar buzz and fuzz.
    (Dunedin, NZ – October 2014)
  32. T54 – Life Is Swell (Bandcamp)
    Laid-back strum into portent of melodic maelstrom.
    (Christchurch, NZ – November 2013)
  33. Twerps – Simple Feelings (Bandcamp)
    Hypnotically pulsating, unsimple guitar chime giving me the feelies.
    (Melbourne, AUS – January 2015)
  34. The Ocean Party – Guess Work (Bandcamp)
    Slowly unfolding, multi-dimensional twinkle.
    (Melbourne, AUS – September 2015)
  35. Tam Vantage – Do You Remember (Bandcamp)
    Languorous and longing.
    (Melbourne, AUS – October 2015)
  36. Hikikomori – Mega Ogre (Bandcamp)
    Helium-filled synth chamber pop.
    (Brisbane, AUS – November 2014)
  37. Sunbeam Sound Machine – Getting Young (Bandcamp)
    Space-pop for now people.
    (Melbourne, AUS – September 2015)
  38. Flyying Colours – In the End (YouTube)
    Sweetly Kaleidoscopic guitar swirl and coo.
    (Melbourne, AUS – June 2014)

Robot Rock

I follow a lot of rock clubs on Twitter. As someone who goes to shows an average of 1-2x per week, I’ve found it to be the easiest way to track upcoming events here in Seattle.

I also check Songkick every now and then to check tour dates for specific bands I’m interested in. As part of this process, I found that it’s possible to not just see future dates, but past dates for bands. So I also like to torture myself by seeing what amazing shows I’ve missed.

I suppose in some weird fashion these two activities helped germinate the idea for my new Twitter bot: shozebot.

What does shozebot do? Why, it tells you all about (completely, utterly fake) upcoming shows by combining each of the following randomly-selected elements into a single tweet:

  • a two-band combination from my iTunes database of ~1200 artists
  • a date
  • a Seattle venue
  • some typical rock club Twitter account promotional lingo


It’s currently set to tweet once every 3 hours, and it’s been amusing so far to see the combos that have been generated, especially since all artists are weighted equally for now. That one-hit wonder with a single song in my music database has the same odds of turning up in a tweet as, say, the Go-Betweens (120+ songs).

At some point I’ll rewrite it with fancier logic that support city-specific venues, greater weighting for artists that constitute a larger chunk of my library, and maybe even inserting matching band Twitter handles. (But only if I want to confuse the hell out of bands!)